Mise En Abyme  bespoke intallation for the gallery space with wooden frames and coloured mylar Thresholds Series I, II, III Mixed media on laser cut mylar and wooden stretcher bars | 190 x 140 cm | 160 x 180 cm | 190 x 140 cm | 2019 |

In inuit, sinik means dream
Radical sini_ edge, limit or border

The peoples of Arctic regions measure distance in dreams or sinik, that is, in the number of nights a trip lasts. This poetic, inaccurate measure of time and space brought me on board of a tall ship expeditionary trip towards North Pole on the summer solstice of 2014.

Every midnight, in the hour of dreams, as the boat breaks through the edges of the frozen waters of the Arctic sea, the waves movement rocks the remains of fresh paint sparkling on deck under the euphoric midnight sun.


Sinik is a site-specific ship’s logbook navigating time and space under the hours of sunlight, wind, rain and snow of this trip. A leeway that through colours psychology shows a somnambulist reflection of the sleep disorders. A nocturnal logbook, a cartography, a sailing journey that lasts a dream.

Sinik Mixed media on Poliester CAD paper roll. 36 x 1100 cm. 2014

 Midnight Sun Paintings 4 pieces series with tondo format Polar Dream, Arctic Eclipse, Farthest North and Golden Compass Mixed media on laser cut mylar and wooden canvas | Diameter 80 cm | 2017-2019

In the vast immensity of ice desert, the explorer and his white shadow are imbued with a terrifying infinity. The lost traveler experiences a journey of loneliness accompanied by his ghost.  White Shades is inspired by the fata morgana effect. A superior mirage that is due to an inversion of temperatures. This is a common phenomenon on frozen surfaces usually seen in the morning at calm Arctic seas. Islands, cliffs, ships, or glaciers on the horizon take on the appearance of fairy castles.

The set explores the limits between reality and fiction, trying to illuminate, or perhaps overshadow with colour, the border between legend and reality. Complementary coloured lights bathe silent symmetrical photos of hypnotic arctic landscapes thanks to dichroic crystals like fantasy navigational instruments.

Aura is a performingaudio-pictorial installation based on the idea of capturing a moment of experimental audition expressed through a physical form. Its presence as an object is capable of establishing closeness with the spectator. The dialogue explores the limits between visual, musical and performing arts by direct interaction with the public.  Aura was presented in 2014 at the Casa Velazquez Académie de France à Madrid Open Studios and at the 400 Auditorium of the Museo Nacional Centro de Arte Reina Sofia in collaboration with CNDM.

The most famous images from outer space are an interpretation. A meticulous translation of data collected by telescopes that, like Hubble, record light in the form of black and white images. They are later color processed by astronomers for their ease of study. In this way, colors are modified to become intelligible. If we could travel there, we would discover that the perceived colors so far do not faithfully reproduce what our eye would see. Our visual imaginary about the origin of the stars or the future of a galaxy, comes from an imagined chromatic basis.

Color Constellations puts this scientific and metaphysic relationships in front of each other; with a sort of pictorial existentialism, it questions the origins of abstract painting, discussing color, light, matter, or gesture. By reinterpreting the fundamentals of color-pigment and color-light, Stardust, Infinity Series and Fatto d’Archimia form an organic conjunction that serves as a metaphor of the creation of its own pictorial universe. Furthermore, the project is conceived to keep open to new questions, manifesting an intention of continuity as on every plastic investigation.

^{-These projects were made thanks to a Two-Year Program
at the Casa de Velázquez Artists Residency in Madrid
sponsored by the Mayor of Valencia-}